Nothing is more discouraging than when a crew returns without "the
money shot" - the shot that really tells the story. Our trainers
can cover the basics - from camera moves to color temperature to
selecting the right microphone.
Or, for seasoned shooters, we dis
cuss a range of more advanced techniques,
such as the best place to shoot a press conference and why; when
to move & when to stay still; how to light a "60 Minutes" style
interview, using a top light during the day and getting natural
light to look great. This module is especially useful for reporters
who shoot on DV cameras.